What is Black Cinema? A Video Story. Film Criticism [Assignment]

Here is an excerpt from one of my Film Criticism assignment submissions.  The final video story is a 10-minute travel through time with b-roll curated from various online sources to corroborate the message.  I explored the meaning of black cinema, the history, cultural significance, theories, challenges, and future.  I highlighted the origins, silent film era, race films, blaxploitation films, the work of pioneer Oscar Michaux, independent cinema, notable challenges, the structure of Hollywood narratives, and the theories of Manthia Diawara, bell hooks and Haile Gerima.  The later describes cinema as a weapon, and “one of the most unexamined, unscrutinzed tool(s) of colonialism” detailing how mass media exploitation prescribes a view of blackness that perpetuates the disenfranchisement of Black Americans. 

What is Black Cinema? Film Criticism. Video Story. Assignment Submission. Screen Capture. Professor Sam Harman. Howard University.
What is Black Cinema? Film Criticism. Video Story. Assignment Submission. Screen Capture. Professor Sam Harman. Howard University.

What is Black Cinema anyway? 

Black Cinema is defined as classification used to describe film which involves the participation and/or representation of black people.  Now, this definition is quite broad and leaves some room for interpretation.  It could mean the film black cast, a black crew, a black director, a black story, or a focus on black audiences.

Alternatively, black cinema has been defined as a film recounting relatable common experiences and containing cultural elements that celebrate Black Cultural Identity.

Film director, Gladstone Yearwood defines black cinema as a body of films produced in the African diaspora which share a common problematic.  These films are a cultural expression of the survival impulse of African American culture and its struggle against marginalization.

Conclusion

Black cinema is not an isolated phenomenon. It has always been linked with social issues in the black community and served as the imagination of our aspirations.  Although challenges remain with funding and access, there is definitely a market for black stories.  It’s interesting to speculate in what direction black cinema would go.

If you would like to view the entire video story, send a message on the contact page or sign-up for mailing list.  I can also forward my voiceover transcript.  Best regards!

1st Year of Film MFA at Howard University Completed, Semester Reflection

What a bummer?!?!  While I am elated the academic year at Howard University has come to a close and I officially completed the first year of my graduate film school experience, something about this still feels incomplete.

When classes started in January, there was no way any of us could have predicted a pandemic would sweep through the nation and change life as we know it.  Classes were migrated to a virtual format, the status of my unfinished film remains in limbo, the film I was scheduled to DP was permanently postponed and my freelance photography / videography gigs were suspended amid curfew and social distancing requirements. Oh, and it gets better … my positions at Live Nation and Landry’s were furloughed as businesses closed. I’ve yet to see a stimulus check or unemployment check and sadly, I’m stuck in a lease in Washington, D.C., one of the most expensive places to live in America.  Putting it mildly, my life sucks right now.

Zoom classes are cute and all, but NOT when you are a film student. The program is collaborative in nature! We want access to equipment; we want to crew shoots. Working on group projects remotely with behemoth sized files and varying degrees of software access and system capability is no fun at all. I would have sat this semester out had I known it would wind up online. With talks of additional COVID phases, the likelihood of next semester being online, no program funding for the film program and graduate assistant positions reportedly slashed … an upcoming gap-year seems imminent.

Howard University Film MFA Graduate School - Spring 2020 Grades
Howard University MFA Film Student – Graduate School, Spring 2020 COVID-19 Grades

Introducing G-Pilot, Selected for Year-End Howard University Film Screening

The Cathy Hughes School of Communications, Department of Media, Journalism and Film (MJF) at Howard University presents its annual, invite-only, Year End Student Film Screening for 2019/2020.  The screening is scheduled to take place Sunday, May 10th to Tuesday, May 12, 2020. Introducing G-Pilot by Briana M. Andrews is among the undergraduate and graduate student projects selected for feature at the screening.   Briana worked as the Shreditor (shooter, producer, editor) and the mini-documentary features an interview, in-studio performance and music video featuring up-and-coming hip-hop recording artist G-Pilot.

Click to read the original BibbyFame Digital post on Introducing G-Pilot.

Visit G-Pilot on Instagram and click here to listen to his music on Soundcloud.

MFA: Film Candidate Grades, Semester Reflection

Grades were posted; I just completed the 1st semester of Howard University’s Master of Fine Arts (MFA M.F.A) Film program.  In this golden age for diverse stories and digital expansion, this is an exciting time to study cinematic arts at THE MECCA, which happens to be sole HBCU with the program.  I have a tremendous amount of respect for each student in my cohort and truly feel like I found my “tribe” aka crew.  Although there generally isn’t as much of an emphasis on grades in graduate school for creative arts (since more importance lies with your completed body of work), I am proud of the perfect 4.0 GPA I secured this semester.  It is imperative that I maintain solid academic standing since I’d like to teach courses in the future, and for now, have hopes of securing a TA slot and competitive internship positions in TV/film/media.  This semester was remarkably challenging, but incredibly rewarding. 

During winter intermission, I’ll be in New Jersey and New York completing freelance projects.  Reach out for bookings and collaborations.

Academic Paper [BLOG] – Italian Neorealism: Origin and Correlation with Documentary Style Film

Some of the aspects I appreciate most about my MFA program is the emphasis on global perspectives, along with the screenings of international films.  In my film history and film analysis courses, I became increasingly familiar with Pre-Classical Cinema, Soviet Montage Theory, German Expressionism, French New Wave, British Cinema (among others).  I enjoyed learning more about Italian Neorealism; which is often heralded as “the Golden Age of Cinema” and one of the most important movements in film history.  Italian Neorealism provided viewers with a with a realistic depiction of life in post-war Italy.  Some of the distinctive features of this movement include the use of non-professional actors and filming on-location. I admired the emphasis on bare-boned storytelling devoid of the fluff and grandeur popularized by its American cinematic counterparts.  It gave a dreary scene of the everyday conditions experienced by normal citizens in the aftermath of a fascist regime.

Although highly regarded as one of the most influential film movements, there isn’t much discussion about the origins and stylistic influences of Italian Neorealism.  Personally, this movement struck me as a documentary-hybrid of sorts.  I pitched this topic and completed a research paper to explore the factors that contributed to the popularization of this cinematic language, while drawing parallel to documentary film. 

The films were created to appeal to our sensibilities with harsh reality and an emphasis on humanity.  There are undeniable similarities between documentary film and Neorealism.  It can be argued that both are visual mediums which provide an accurate depiction of life.  For my research paper, the works of Roberto Rossellini and Vittorio De Sica were screened for primary research, and various sources were utilized to demonstrate the correlation between Italian Neorealism to Documentary style film. Both can be deemed anti-Hollywood film styles derived from political and social circumstances.

Screen grab of research paper on Neorealism correlations with documentary style film
Click image to access research paper