“To Each, Her Throne” – Web Docuseries Official Trailer [VIEW]

Check out the official trailer for “To Each, Her Throne.” 

To Each, Her Throne is a five-episode web docuseries bringing together women from different ages, backgrounds, sexualities, religions, races and ethnic groups.  This is a female-centric project boasting an all-female cast and crew.  Thus far, support for the project has been overwhelmingly positive, partially securing funding through a successful IndieGogo campaign with over 40 backers.  Under the artistic direction of Danielle Privat, the cast came together for judgement-free discourse on the female experience, with the goal of breaking societal mandates.

Be on the lookout for the dates of our upcoming screening in NYC and project release. 

To Each Her Throne - Official Trailer - Web Episode Graphic

Crew:

  • Danielle Privat, Director / Production Designer
  • Alicia Allen, 1st Assistant Director / Director of Photography
  • Briana Andrews, Producer
  • Giovanni Jackson, Director of Photography
  • Veronica Lewis, Gaffer
  • Morgan Jones, Sound Mixer

Cast:

BTS from Alliance Latino Youth Leadership Conference at Fairleigh Dickinson University – Inspimind Project, Dir of Photography

Briana M. Andrews with Inspimind staff at the Alliance Latino Youth Leadership Conference May 16, 2019

In recent weeks, I worked as the Director of Photography (DP) for the Fifth Annual Alliance Latino Youth Leadership Conference.  I supervised the interns, camera and light crew for the one-day, multi-cam shoot (currently in post).   This event was co-sponsored by Inspimind and took place at Fairleigh Dickinson University in Madison, New Jersey.  This year’s theme was “Rompiendo Barreras” (breaking through).  The conference was open to high school students of Latino heritage and consisted of workshops about success, overcoming life hurdles, financing college and getting scholarships.

Group photograph at Alliance Latino Youth Leadership Conference at FDU Madison

Last year, I worked at Inspimind as an intern in Film Production and Multimedia.  In that capacity, I assisted with pre-production, onsite production, and post-production (editing and debrief meetings).  Other responsibilities included recording and editing footage, photography, assisting with the planning & scheduling of production shoots, and collaborating with the Content Development team.  I connected with Inspimind, not only as an employee, but on a personal level because I value their mission and witnessed firsthand all the amazing work they do in the community as an educational services non-profit.  I started out as an intern, but when I received the call to come back this year for a paid freelance opportunity supervising their new 2019 interns at the Alliance Latino Youth Leadership Conference, I jumped at the chance.  It was an amazing event!  Learn more about Inspimind.

What Can People Do to Change Things? How Can I Help Women in TV and Film?

This is a very important question.  One that doesn’t have a straightforward answer.  It’s easy to slap together statistics to paint the dire picture of what is transpiring with women in the television and film industries.  However, generating a solution or corrective action plan isn’t quite so simple.  With the creation of Women in TV and Film, I was extremely cautious not to make this a finger-pointing, blame-game or pity-party because no one is rolling out the red carpet for us to access the boys club.  I wanted to highlight positive attributes and micro-level methods to evoke change that both you and I can implement NOW.  In the introductory stages of conceptualizing the project, I asked myself two fundamental questions:

  • What can I do to help?
  • How can I build awareness and change perception?

I don’t have money.  My career is still in infancy stages.  I don’t have the power to create macro-level change.

Do I delve into why things are the way they are, or do I paint a picture that visualizes HOW IT COULD BE?  I chose the latter.

My approach with this project was to:

  • Actively work in a filmmaker capacity
  • Work alongside other women in TV and Film
  • Showcase various women in TV and film through my social media and web platforms
  • Document the innerworkings of film sets with exclusively female cast and crews
  • Attend events, conferences and screenings that support female filmmakers
  • Network and build relationships with experienced women actively working in the industry
  • Develop a rolodex (contact list) of women that can fulfil various above and below-the-line roles for future usage, reference and recommendation
  • Show the world WOMEN MAKE MOVIES and WE ARE BADASS

Now, it’s YOUR TURN.

Companies:  You should HIRE female filmmakers.

Filmmakers: You should recommend female filmmakers and take steps to ensure you have an inclusive work environment.

Consumers: You should support, watch and buy diverse and inclusive projects.

We can talk about corporate big-wigs but the reality of the matter is CONSUMERS HOLD THE POWER.  When you buy food, you read the label.  Similarly, when watching shows and films … you should research the credits.  You should know about the content you are consuming.  Female filmmakers know about the problems that exist, however, a large chunk of the TV-watching and movie-going population are completely oblivious.  The program you love:

  • Did a woman write it?
  • Did a woman direct it?
  • Did a woman edit it?
  • Did a woman shoot it? 
  • How many women were involved in the production? 

The population is 50/50 and women represent roughly half of movie-goers but we have less screen-time and less control of the narrative.  YOU have the power to decide and evoke change.

THANK YOU – College of Communication & Creative Arts Showcase [BTS Photos] – REMINDER: Upcoming NMP Showcase

I’d like to provide a special thank you to everyone who visited my workstation May 4th at the CCCA Awards and Showcase.  The event served as awesome primer for the New Media Practicum showcase that will be taking place at Chamberlain Student Center from 10-1 PM on Tuesday May 7th, 2019.  I encourage you to attend; admission is free and open to the general public.  You will have the opportunity to see the Women in TV and Film new media project and mini-documentary showcasing my activities over the course of the semester. 

Here are a few images shared on social media during the event:

This subject is near and dear to my heart and the project demonstrates micro-level steps we can take as a community to ensure there is more diversity, inclusivity and representation in storytelling.  The feedback was overwhelming positive and the energy was lively during the event. The CCCA Showcase was particularly memorable for me since it was one of the few times during my undergraduate career where I experienced all majors from CCCA (biomedical art, public relations and advertising, journalism, communication studies etc.) under the same roof displaying their body of work.  If you missed it, you missed out – however, I’d love to see you on Tuesday at NMP.

Tomorrow, I will post an article on WomeninTVandFilm.com outlining things that filmmakers, businesses and consumers / viewers can do to support women in this profession. Stay tuned.

Boomerang Social Media Post, Originally Posted on Instagram During CCCA Event

What Were the BIGGEST CHALLENGES during the creation of Women in TV and Film? Project Completion [Reflection]

Funding limitations were one of the greatest challenges I experienced throughout the creation of the Women in TV and Film project.  One of the aspects that contributed to the success of the project was BEING THERE.  Enough footage exists on the market that I could have slapped together project from content curation alone, but I wanted to SEE, FEEL, TOUCH and make this experience REAL for myself and for anyone who views the project.  The need for female voices in television and film is heavily documented with articles and videos that address everything from gatekeepers and green-lighters to budgetary constraints and limited access.  However, Women in TV and Film is unique since it isn’t a perspective from the outside looking in.  Again, it was about BEING THERE.

Official Poster – Women in TV and Film – New Media Project and Mini Documentary. Designed by Briana M. Andrews.

If I had to summarize the challenges, it would come down to time and money.  I didn’t have all the time in the world to work on this project.  I submitted and defended my project proposal on February 14, 2019 and had roughly two months to take this from concept to completion with a tangible showcase-worthy project.  There were schedule and timeline tweaks and adjustments when reality set in with how much can realistically be accomplished within the allowed timeframe.  

Some of the investments made included gas, tolls (ugh, tolls), back-up batteries for my SLR, additional SD cards and the usual suspects, like my Adobe CC subscription.  I also had to combat loss of income, since I couldn’t actively freelance while simultaneously putting in long hours toward the Women in TV and Film project, and my directorial debut, Thug Motivation.  Leading up to April 2019, I resigned from my position as a Studio Photographer with Picture People since they needed someone with weekend availability, especially with the Easter holiday approaching.  I knew in advance I would have to spend each weekend in March and April either shooting, editing, designing graphics, or attending events and production meetings.

VROOOM – Time and Distance. How Much Did You Have to Travel to Pull Off the Women in TV and Film Project?

I am forever thankful for the opportunities that were presented over the course of this semester and took advantage of as many as I could.  I had to travel quite a bit and put a considerable amount of mileage on my car traveling back and forth between Manhattan and Rowan University in Glassboro, NJ (where I reside during the academic year).  My residence is in Northern NJ, relatively close to New York City.  My family … grandparents, aunts, uncles and cousins are all in New York.  I luck out in a sense where there was always a local place to crash when I head into the city, but I also had classes and campus activities, so it was never long before I had to drive back to school.

Not-so-fun Facts: The Verrazano Bridge is $19.  There is an EZ-Pass toll discount, however it only applies to NY pass holders and the deep(er) discount is only for Staten Island Residents.  The Port Authority tolls (Goethals Bridge, Lincoln or Holland Tunnel) are $12.50 with the discount.  The NJ Turnpike Tolls vary anywhere between $5 and $11.  A typical trip from Rowan University (exit 3) to Lower Manhattan (exit 14C) can run about $11.  I took the train to Astoria, $17 round-trip on New Jersey Transit plus another $5.50 on the MetroCard for the MTA.

Location Details:

  • To Each Her Throne was shot in TriBeCa, NY
  • Daughters of Solanas was shot in Staten Island, NY (main shoot site and on-location cemetery site)
  • Women’s Weekend Film Challenge Pre-Production was in Williamsburg, Brooklyn, NY
  • Screening of Daughters of Solanas at the Museum of Moving Image in Astoria, Queens, NY
  • Girl Power Film and Media Summit was in Dumbo, Brooklyn, NY

Upcoming Events for Female Filmmakers (Festivals) – NYC

Graphic for Women’s Visionary Film Symposium

Women’s Visionary Film Symposium

Date: Thursday, May 30th – Sunday, June 2nd 2019

Location: CoSM: Chapel of Sacred Mirrors – 46 Deer Hill Rd., Wappinger, NY 12590

CoSM Women’s Visionary Film Symposium includes a four-day program jam-packed with student films, shorts and feature-length films from both new and established female artists making an impact in filmmaking.  The event will feature panels and workshops on crowdfunding, media funding and distribution, cinematography and camera work.

Graphic for WIFF – Women in Film & Entertainment Conference, Breaking Down Barriers

Women’s International Film and Arts Festival

Date: Thursday, June 6th – Sunday, June 9th 2019

Location: AMC Empire 25 – 234 W 42nd St, New York, NY 10036

WIFF2019 includes 40+ films, a conference, Sunday Awards brunch and more.  This organization is known for its efforts to empower women’s visions and voices in film, television and entertainment. This event will include a Women in Film & Entertainment Conference and panels featuring some of the top women and men in the industry.

Rowan University 2019 New Media Practicum Showcase Featuring Women in TV and Film Project

NMP – Poster, 2019 New Media Practicum Showcase. Designed by Briana M. Andrews.

The 2019 New Media Practicum (NMP) Showcase for Rowan University is taking place on Tuesday, May 7, 2019 from 10AM-1PM at the Chamberlain Student Center.  This event will feature several semester culminating student projects including Women in TV and Film by Briana M. Andrews.

If you prefer to attend on the weekend, a sneak preview of new media showcase will be taking place this Saturday, May 4, 2019 at the CCCA (College of Communications and Creative Arts) Student Awards & Showcase. This event takes place from 11AM-1PM in Pfleeger Hall.

The line-up is as follows:

Briana M. Andrews – Women in TV and Film [BibbyFame Digital, LLC]

Karlo G. Bulaong – Life of Kai

Steven Cimprien – The Nameless [Phantom Psyche Productions]

Nicole Cummings – What Do They Call Me? [Smile Sweet Productions]

Seth Ezbicki – The Optic Topic

Benjamin Mergen – Cooking with Benny [Benny XD]

Jared Schrock – Sour Fizz

Women in TV and Film MiniDoc and New Media Project – 2019 NMP Showcase at Rowan University

Official Poster – Women in TV and Film – New Media Project and Mini Documentary. Designed by Briana M. Andrews.

The official screening for Women in TV and Film, the mini-documentary and new media practicum project will be presented at the 2019 New Media Showcase at Rowan University.  This event is taking place on Tuesday, May 7, 2019 from 10AM-1PM in the Chamberlain Student Center.  Admission is free and open to the general public.  If you can attend, please come out and support.   

This event is an interactive, personal, meet-and-greet style setting where you can check out this semester-long multimedia body of work at my designated workstation and discuss the project directly with me.  The mini-documentary hasn’t been published anywhere and I’ll have a display with the artifacts, supporting documents and the poster for this project.  Don’t miss out!

Shoot Complete – To Each, Her Throne [Behind the Scenes]

CREW – To Each, Her Throne – (L-R) Danielle Privat, Morgan Jones, Briana M. Andrews, Alicia Allen

Here are some behind-the-scenes shots from To Each, Her Throne.  I am incredibly excited and thankful for the opportunity to Produce this series.  I am pleased with how everything turned out thus far; our guests were amazing and I cannot wait to share this project with the world.  Check out these BTS pics from the shoot by Photographer, Victoria Lewis @veedotk.

CREW – To Each, Her Throne – (L-R) Morgan Jones, Giovanni Jackson