I am pleased to announce I recently accepted a part-time position with Live Nation at Warner Theater, D.C. This position doesn’t involve usage of my skills in sound, lighting, shooting or editing, however, I am still ecstatic about joining this live entertainment powerhouse and soaking up knowledge.
My career background includes roles as a Brand Ambassador and Host. During college, I handled retail-setting, customer-facing promotion for brands like Nespresso, Vega and Onnit. Those positions pooled several skills including marketing, sales, hospitality, analytics and customer service – all of which proved useful in freelancing and building my client portfolio. Most importantly, those experiences provided me with an edge in helping businesses conceptualize their digital strategy and shaping their visual brand story. At this venue, I’ll assist with coordinating operations on the night of shows in collaboration with the Floor Manager, servers and security with the objective of assisting patrons secure an optimal concert experience. Wish me luck!
Be on the lookout for Introducing G-Pilot. Briana M. Andrews served as the Shreditor (shooter, producer, editor) on this project which includes an interview, in-studio performance and music video featuring up-and-coming hip-hop recording artist G-Pilot. G-Pilot is currently promoting his new smash single “W.I.N.” A natural in front of the camera, G-Pilot discusses his entrepreneurial endeavors, connection to rapper Common, inspirations and why he opts to create positive rap content.
Over the past month, I’ve had the opportunity to work on several exciting film projects. In addition to my personal ventures, I was on the crew for a few others, including student projects for fellow MFA candidates. There are two projects I’d like to share details on. First, because I am super proud of the outcome, and secondly, since both films were directed by women. In recent weeks, there was quite the uproar about the industry’s lack of gender parity and female filmmakers being snubbed by the Oscars and Golden Globes. Here are two projects from upcoming women in film to be on the lookout for:
The first project, Final Beat was directed by Elon Riley. I was the first assistant camera (1st AC / focus puller) for this film.
The second project Break Point was written and directed by Melissa Witherspoon. I was cast as the actress in this film; I’m usually behind the camera but I was able to flex some acting chops here.
I’ll share more details about release as information becomes available.
Grades were posted; I just completed the 1st semester of Howard University’s Master of Fine Arts (MFA M.F.A) Film program. In this golden age for diverse stories and digital expansion, this is an exciting time to study cinematic arts at THE MECCA, which happens to be sole HBCU with the program. I have a tremendous amount of respect for each student in my cohort and truly feel like I found my “tribe” aka crew. Although there generally isn’t as much of an emphasis on grades in graduate school for creative arts (since more importance lies with your completed body of work), I am proud of the perfect 4.0 GPA I secured this semester. It is imperative that I maintain solid academic standing since I’d like to teach courses in the future, and for now, have hopes of securing a TA slot and competitive internship positions in TV/film/media. This semester was remarkably challenging, but incredibly rewarding.
During winter intermission, I’ll be in New Jersey and New York completing freelance projects. Reach out for bookings and collaborations.
Some of the aspects I appreciate most about my MFA program is the emphasis on global perspectives, along with the screenings of international films. In my film history and film analysis courses, I became increasingly familiar with Pre-Classical Cinema, Soviet Montage Theory, German Expressionism, French New Wave, British Cinema (among others). I enjoyed learning more about Italian Neorealism; which is often heralded as “the Golden Age of Cinema” and one of the most important movements in film history. Italian Neorealism provided viewers with a with a realistic depiction of life in post-war Italy. Some of the distinctive features of this movement include the use of non-professional actors and filming on-location. I admired the emphasis on bare-boned storytelling devoid of the fluff and grandeur popularized by its American cinematic counterparts. It gave a dreary scene of the everyday conditions experienced by normal citizens in the aftermath of a fascist regime.
Although highly regarded as one of the most influential film movements, there isn’t much discussion about the origins and stylistic influences of Italian Neorealism. Personally, this movement struck me as a documentary-hybrid of sorts. I pitched this topic and completed a research paper to explore the factors that contributed to the popularization of this cinematic language, while drawing parallel to documentary film.
The films were created to appeal to our sensibilities with harsh reality and an emphasis on humanity. There are undeniable similarities between documentary film and Neorealism. It can be argued that both are visual mediums which provide an accurate depiction of life. For my research paper, the works of Roberto Rossellini and Vittorio De Sica were screened for primary research, and various sources were utilized to demonstrate the correlation between Italian Neorealism to Documentary style film. Both can be deemed anti-Hollywood film styles derived from political and social circumstances.
As a Jersey poodle and distinguished lady of royal blue and gold, I absolutely love this time of year. Check out this promo spot over a STM instrumental remake created for Theta Mu, Sigma Gamma Rho Sorority, Inc. undergraduate chapter at Rowan University. This year, SGRho turns 97. The organization was formed by seven young educators on November 12, 1922 at Butler University. With an organizational commitment of scholarship, sisterhood and service, its mission includes enhancing the quality of life for women and families in the U.S. and globally through community service, civil and social action.
While this is a Founders’ Day blog post, this video was actually created to commemorate Charter Day on the Theta Mu social media channel. I was the Shreditor(shooter, producer, editor) and starred in this one one-man band piece shot at 114 Victoria, Nexus Apartments @ Rowan University. Running time under one minute and optimized for socials.
I am pleased to announce I recently accepted an intern position as a Production Assistant / Editor with DC TV. This role is part of the media production crew with this Washington, D.C. based public access television station. Thus far, I worked as a PA for a piece shot on a local food bank and edited spots aired on television. I am thrilled to have this opportunity to work alongside such a talented group with a vested interest in the community. DC TV provides opportunities for members of the community to be SEEN and HEARD.
DC TV provides local programming created by and for DC communities, 24 hours a day, 7 days a week. Providing a platform for individuals to share their own stories is one of the unique aspects that stuck out to me as an applicant. I am eager to learn more about broadcasting and television production, while also being afforded the opportunity to share insight from my previous experiences.
Some of the responsibilities associated with the position are as follows:
Assist with producing, filming, and editing video content which adheres to standards for HD Cable Television channels, streaming and online channels and social media platforms
Production Assistant on field-based shoots, edit content to produce engaging narratives
Conduct research topics using video archives, the internet, library archives and other sources to find b-roll
Assist with all components of production and post-production, mic guests for in-studio shoots
Click here to learn more about Public Access Corporation of the District of Columbia (DC TV). I am certainly excited to join the team, wish me the best of luck Fall 2019.
Veritas et Utilitas, “Truth and Service” is the motto for Howard University and represents a vital component of the school’s identity. I have a special affinity for educational initiatives, particularly those that drive young minority women to CREATE. Service is a lifelong commitment and over the years, I volunteered hundreds of hours at various community-based and 501(c)(3) organizations. While Howard University Day of Service (HUDOS) draws mostly undergraduate students, I was intrigued and sought a way to get involved. I am pleased to announce I was selected for the Steering Committee and serve as the Photographer / Videographer on the Media Team.
To me, HUDOS provides a phenomenal way for students to become immersed in both the university and the community-at-large. I am thrilled about having the opportunity to create visuals displaying Howard students as they come together, working hard to make a difference. Check out one of my promo edits created using supplied photos and footage curated from HUDOS over the last two years, along with graphics I created to accompany student quotes on the service experience.
Summer 2019 has been remarkably busy (in a good way). While the blog posts have certainly been more sporadic, I promise it’s for good reason. I’d like to share some details on a recently completed freelance project in Astoria, NY. In late July, I had the pleasure of working with photographer Regan Wood. She is working on a super exciting project about eclectic New Yorkers and fascinating spaces. I assisted on-set with several functions including lighting. This connection was made by Jill Lotenberg, another lady of the lens that I had the pleasure of working with. I’ll be sure to share more details about the project as it comes into fruition. Here are a couple behind the scenes snaps from the space:
Check out the official trailer for “To Each, Her Throne.”
Each, Her Throne is a five-episode
web docuseries bringing together women from different ages, backgrounds,
sexualities, religions, races and ethnic groups. This is a female-centric
project boasting an all-female cast and crew.
Thus far, support for the
project has been overwhelmingly positive, partially securing funding through a
successful IndieGogo campaign with over 40 backers. Under the artistic direction of Danielle
Privat, the cast came together for judgement-free discourse on the female
experience, with the goal of breaking societal mandates.
Be on the lookout for
the dates of our upcoming screening in NYC and project release.